And what Cannon delivered is far better than what the internet has led you to assume. But while it wouldn't have been my first (or second, or third) choice for Cannon's next project, this is what the people with the money wanted. The original story is not nearly interesting enough to earn even half of the retellings it's seen over the years.
It also tries to give the stepmother ( Idina Menzel ) some understanding of the reason for her cruelty and tones down the mean girl element of the two step-sisters. Did we need another Cinderella? Of course not. In this version, Cinderella (singer Camila Cabello) has big dreams of being a fashion designer and supporting herself so that she no longer has to live in her stepmother's basement. At one point, when Cinderella is transforming into a princess for the ball and remarking on the process, her Fairy Godmother (Billy Porter) mentions that she should let the magic moment happen and not ruin it with 'reason.' This is a lesson that the film should've taken to heart, since this Cinderella doesn't just display a subversive attitude toward fairy tales it's also contemptuous of them." Decider "This is a film that announces its fairy tale bona bides via voiceover, yet it practically rejects the concept of fantasy whenever the characters speak like empirical citizens of 21st-century America, ironically commenting on the mythical world they live in. Bouncing from musical number to musical number, each scene showcases the incredible costume work but provides little substance or depth." Structurally, Cannon composes the film almost like a lovingly curated stream of similarly styled TikToks.
This is a film for teenage girls, offering them a message of girl-boss feminism, and it makes no excuses about it. " Cannon takes the classic fable and reimagines it for a generation who grew up on a mixed diet of her Pitch Perfect screenplays and the Disney Channel's The Descendants franchise. It's clear Ella is the underlying force inspiring change in these folks, but the reasons instigating those changes defy logic." The Wrap From the stepsisters (who are softened to the point of serving little to no purpose) to the members of the royal court (whose arcs are extraneous), practically everyone beyond Ella and Vivian suffers greatly from tissue-paper-thin character motivations that pivot on a whim, making the audience question why these superfluous story threads are there at all. The movie's pacing is inconsistent, especially when it comes to character development, which can feel at once underdeveloped and overstuffed. For the latest news, follow us on Facebook, Twitter, and Instagram."or all the innovative, intelligent decisions made, there are an overwhelming number of frustrating creative choices.
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In the meantime, she was taking notes while working with co-stars Porter, Pierce Brosnan, Minnie Driver and Idina Menzel.
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